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A
Mark Fell
,
Piotr Tkacz
A kind of curve: Mark Fell links up with Glissando
Anna Friz
Art on Autonomous Airwaves: Radio Art in Canada
Piotr Tkacz
Art processes can’t hide anymore in their lovely, protected tower – an interview with Julien Ottavi
Marta Beszterda
“As many dreams of freedom as we can get” – on gender and inclusivity in electronic music at the Mutek festival’s “Keychange :: Amplify” symposium
Barbara Bogunia
Automating the sound. Ars combinatoria and mystical automata
B
Paul Margree
Baba Vanga: No Boundaries
Oramics
Bogumiła Piotrowska
Nina Fukuoka
Break the Silence
C
Antoni Michnik
Call For Papers: Glissando #25 – Manifestos
Krzysztof B. Marciniak
Call for Papers Glissando #26 — Soundscape
Barbara Bogunia
Call for Papers: Glissando #27 – Child
Monika Pasiecznik
Call for Papers: Glissando #28 – The System / Performance of Contemtemporary Music
CALL FOR PAPERS: Glissando #29 Conceptualism
CALL FOR PAPERS: Glissando #30 – New Music in Eastern Europe
Daniel Brożek
CALL FOR PAPERS: Glissando #31 – Sound Art
Adriana Borowska
Call for papers: Glissando #32
Izabela Smelczyńska
Call for papers: Glissando #33
Call for papers: Glissando #34 – China. The middle (of the) sound.
Antoni Michnik
,
Michał Mendyk
Call for papers – Glissando #35
Jan Topolski
, transl. Agata Klichowska
Conceptual vagaries of Polish composers in recent years
Bridgid Bergin
Connection in Digital Participation. The World Wide Tunning Meditation and Heart Chant
Marta Beszterda
The second sound. On gender and music – conversation with Julia Eckhardt.
Tomasz Kamiński
,
Trans. Marta Skotnicka
Corneliu Dan Georgescu: Mr. Eternity
CTM.13: Free association with Matmos
Jacek Plewicki
,
Piotr Tkacz
CTM.2013: „Some paintings have frames. Some do not.” – Q&A with Eugene S. Robinson
D
Joseph Kudirka
Dedication
Dobromiła Jaskot
,
Dominik Karski
,
Ewa Szczecińska
,
Jan Topolski
, transl. Dominik Karski
Dominik Karski – interview
Krzysztof Stefański
Dusting off old keys
E
Oramics
Ewa Justka
F
Zosia Hołubowska (Mala Herba)
Femmes in Sonology: Hilde Wollenstein
Zosia Hołubowska (Mala Herba)
Femmes in Sonology: Lucie Nezri
Zosia Hołubowska (Mala Herba)
Femmes in Sonology: Marlene Fally
Piotr Tkacz
,
Yasuhiro Morinaga 森永泰弘
, transl. Piotr Tkacz
Forgotten Kingdom – Yasuhiro Morinaga from Field Recordings Concrete Interviewed
Lukas Ligeti
From the Lone Composer to the Dynamics of Motion. Pan-African Insights through an Encounter in Zimbabwe
G
Antoni Michnik
Glimpses from the history of the Eastern Bloc’s neo-avant-gardes: Katalin Ladik’s collage-portrait
Glissando #26 – Soundscape
Editorial board of "Glissando" Magazine
“Glissando” 3.10.2016
Michał Libera
Glissando #36: Call for Papers
Justyna Stasiowska
Glissando #37: Call for Papers
Krzysztof Stefański
, transl. Agata Klichowska
Glissando #39: call for papers
Krzysztof Dziuba
Glissando #A: Call for Papers
Edvardas Šumila
Global and Local: An Observation from the Neighborhood
H
Piotr Tkacz
Hope in the Sound. A conversation with Annea Lockwood
Aaron Turner
,
Daniel Menche
,
Faith Coloccia
“Hunting for Sounds”. Interview with Daniel Menche
I
Marta Konieczna
I love freedom and I know why. A conversation with Katarina Gryvul
Julie Rose Bower
Intimate Encounters Within the Ear: Microphone-touching and the Gender Politics of ASMR
Oramics
Izabela Dłużyk
K
Oramics
, transl. Agata Klichowska
Karolina Karnacewicz / Morgiana Hz
L
Launch event of #29 issue at Errant Sound in Berlin – photo report
M
Łukasz Strzelczyk
, transl. Małgorzata Cnota
Making the walls quake, as if they were dilating with the secret knowledge of great powers
Martin Smolka
My experience with microtones
N
Richard Johnson
Noise Annoys: A Brief Discussion with William Bennett
O
Dorota Kozińska
Oedipus of Tufnell Park
Weronika Trojańska
One eye is good enough! Diseases in George Maciunas’ work
Luis Velasco Pufleau
One says Mexico: paisajes sonoros de México de Stefano Scodanibbio
Monika Pasiecznik
Open Potential. A Map of New Ukrainian Music
R
Dariusz Brzostek
Recorded or repressed? Towards the anthropology of the cassette tape
Oramics
Rey KM Domurat
S
Agnieszka Grzybowska
,
Daniel Brożek
,
Dominika Micał
,
Ewa Schreiber
,
Jan Topolski
,
Marcin Trzęsiok
, transl. Dominik Karski
Premiere: “Slejpnir” by Dobromiła Jaskot
Richard Johnson
Sonic Displacement Therapy
Lyubov Morozova
, transl. Katarzyna Kramnik
Sounds of Maidan
T
Tomasz Misiak
Tape and quality. Attempt to derail the problem
Antje Vowinckel
,
Elżbieta Sikora
,
Marcus Gammel
,
Tomasz Misiak
The All-Time Hit Parade: soundplays and radio varia chosen for the „Glissando“ readers by experts from 11 countries and 3 continents (vol. 1)
Alessandro Bosetti
,
Bernarde Clarke
,
Michal Rataj
,
Sabine Breitsameter
The All-Time Hit Parade: soundplays and radio varia chosen for the „Glissando“ readers by experts from 11 countries and 3 continents (vol. 2)
Arturas Bumšteinas
,
Chantal Dumas
,
Dinah Bird
,
Gregory Whitehead
,
Jon Rose
The All-Time Hit Parade: soundplays and radio varia chosen for the „Glissando“ readers by experts from 11 countries and 3 continents (vol. 3)
Joseph Anderson
The Ambisonic Technique
Antoni Beksiak
,
Christof Migone
, transl. Antoni Beksiak
“The body is a sound factory”. Interview with Christof Migone.
Krzysztof Kwiatkowski
, transl. Agata Klichowska
The master of sound and silence. Luigi Nono | book excerpt
Ibrahim Khider
The Performativity of Muslimgauze
Antoni Michnik
, transl. Agata Klichowska
The story of a performer, the story of an item. Willem de Ridder’s tape experiments
Marta Beszterda
Three Building Blocks, Two Missed Opportunities, and One Recommendation. A Review of the 62nd International Festival of Contemporary Music “Warsaw Autumn”
Monika Żyła
, transl. Agata Klichowska
Towards a New, Better Festival
Ryoko Akama
Twenty-one commentaries for “places and pages”
W
Lyubov Morozova
Во время войны ты весь превращаешься в слух
Angelika Kaczorowska
We got the presence, but where is the essence?* – Unsound Cracow 2018 essay
Oramics
We Will Fail
Michał Mendyk
,
Wojtek Zrałek-Kossakowski
What Does the Radio Do For Us? A conversation with Gregory Whitehead
Heather Frasch
What remains… Performing traces in the works of Io wie and Audra Wolowiec
Z
Oramics
Zosia Hołubowska
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