Making the walls quake, as if they were dilating with the secret knowledge of great powers

Read in Polish Making the walls quake, as if they were dilating with the secret knowledge of great powers The […]

Sounds of Maidan

Read in Polish Read in Russian Kiev, the night between the 24th and 25th of January 2014. Air temperature: – […]

Call for Papers: Glissando #27 – Child

CALL FOR PAPERS: #27 Glissando – Child Glissando magazine invites authors to send essays (up to 40 thousand characters) regarding […]

My experience with microtones

In a way I learn to compose again and again when starting a new piece. I has never been sure, whether the experience, which […]

Noise Annoys: A Brief Discussion with William Bennett

What constitutes ?noise? or not is a matter forever subject to debate, both inside and?outside the realms of music. For me, […]

Recorded or repressed? Towards the anthropology of the cassette tape

It is of course all about memory. Memory, sound, and cognition ? or, to be exact, the knowledge gained through the contact with the Other (even if that Other is myself from years, months or days ago). Naturally, power and its complex relations come into play.

Open Potential. A Map of New Ukrainian Music

Here, in this land, I see some signs of what I consider to be “post-modernism,? which primarily means “after-modernism,” or something that […]

Automating the sound. Ars combinatoria and mystical automata

The description of reality composed of groups of discrete or continuous data offered by the modern theory of information is […]

Call for Papers Glissando #26 — Soundscape

Glissando magazine invites authors to send essays (up to 40 thousand characters) regarding soundscapes, acoustic environments, acoustic ecology and its […]

Call For Papers: Glissando #25 – Manifestos

Glissando magazine invites authors to send essays (up to 40 thousand characters) regarding musical manifestos and the meaning of sounds […]