What Does the Radio Do For Us? A conversation with Gregory Whitehead
[…] a few years ago, a convict in San Quentin Prison contacted me for a cassette copy of The Pleasure of Ruins (1988). […]
[…] a few years ago, a convict in San Quentin Prison contacted me for a cassette copy of The Pleasure of Ruins (1988). […]
Sabine Breitsameter Günter Eich Träume (dir.: Fritz Schröder-Jahn) A radical content is combined with a very conceptual way of directing the […]
The 2018 edition has attracted 30,000 attendees from all over the world and featured 129 music acts, finally making Unsound […]
I recall an interaction when I was travelling to Montreal for the first time in the summer of 2017, when a fellow […]
Elżbieta Sikora Orson Welles War of the Worlds Radiophonic reality show of the past, the programme, which caused crazy panic […]
Radio as a broadcast technology was designed with the intent to conquer distance wirelessly, but is perhaps best suited to transmitting […]
Concrete is a Tokyo-based record label founded by Yasuhiro Morinaga, focused on field recording. Its releases include not only modern sounds […]
Festivals are one of my favorite forms of musical reception. I like listening to music performed live. I like listening to the […]
31.08.2012 – London The opening of Peter Strickland’s movie Berberian Sound Studio1. The main character, British sound engineer Gilderoy (Toby Jones), […]
Glissando invites to participate in the issue devoted to the history of radio and radio art.