Femmes in Sonology: Marlene Fally

Marlene Fally is a sound artist and performer from Austria, currently based in the Netherlands, where she is studying at the […]

Glissando #39: call for papers

The Glissando contemporary music magazine invites you to contribute to the upcoming issue about sound and participation. We invite you to […]

Conceptual vagaries of Polish composers in recent years

On their websites composers usually categorize their works by performers or by year of creation. Different categories sometimes appear, but […]

The Ambisonic Technique

What’s in a Name? In large part, the techniques and technologies grouped under the name “Ambisonic” can be traced back to […]

“Hunting for Sounds”. Interview with Daniel Menche

Faith Coloccia & Aaron Turner: What was your first field recording? How did you first become introduced to field recording, […]

The story of a performer, the story of an item. Willem de Ridder’s tape experiments

The story and the recording “The narrator—although the name itself is so familiar to us—is by no means present to […]

A kind of curve: Mark Fell links up with Glissando

This is a revised English version of the interview conducted at the CTM.13 Festival. Piotr Tkacz: Listening to your music, but […]

The Performativity of Muslimgauze

The editors of Glissando approached me to write of Bryn Jones aka Muslimgauze. The 21st issue of Glissando deals with the concept […]

Three Building Blocks, Two Missed Opportunities, and One Recommendation. A Review of the 62nd International Festival of Contemporary Music “Warsaw Autumn”

The words “Warsaw Autumn is a brand” accidentally fall into my ear when I pass a chatting group during a break between the concerts. […]

Glissando #A: Call for Papers

The New Music Magazine “Glissando” invites the authors to send/submit the abstracts or conspectuses (up to 500 words) and then […]