Together with ”Glissando” magazine we present a series of interviews with Polish women working with sound – artists who deal not only with music or sound art but also educational engineering and technology, collaborating with the biggest Polish festivals. The series is our way of coming up with an alternative to the deluge of "year summaries" and carving out a space for women and their voices in the discussion about the music scene and sound in general.
From the Lone Composer to the Dynamics of Motion. Pan-African Insights through an Encounter in Zimbabwe
Since the mid-1990s, I have spent significant time in various regions of Africa working on collaborative creative projects with musicians, performing, […]
INTRO Every Saturday from March 28-April 25, 2020, Music on the Reboundin partnership with the International Contemporary Ensemble, produced The […]
Tap-tap-tap… is this thing on? Though most people don’t realise it, the sound that touching a microphone produces has a highly particular […]
“I am still in the hospital, drinking kilograms of pills, being perforated with needles, surrounded by gas masks, dials, valves […]
On their websites composers usually categorize their works by performers or by year of creation. Different categories sometimes appear, but […]